Not
a regular listener of Nepali folk music, I was awestricken by the words of the
song – Chinta Chaina Kehi – beautifully stroked to provide a deep
reflection of Nepali realities. At the same time it also has successfully – in positive
tone – depicted the potential of Nepali society to march towards bright future.
However, I am not scribing this article just to say that the song, written by
Pashupati Sharma and sang by the writer himself along with Sita K.C, is going almost
viral in YouTube or has potential to do so.
The
main idea of this article is to compare the message of the song with a
development theory called Sustainable Development (SD). SD, in its seminal
report – Our Common Future – has been described as ‘development which meets the
needs of the present without compromising the ability of future generations to
meet their own needs.’ At the time, when SD is being backed by United Nations
as the kind of development theory suitable for the world and its people economically,
socially and environmentally it would be interesting to see the messages of SD
that the song has.
Written
around the foreign migration scenario, the song has many other issues
amalgamated within its main thread. The explicit message of the song seems to
show, migration to foreign country for painstaking jobs with little rewards, in
the changed context of Nepal, is not necessary if we can put in a little bit of
more effort on the way we have been doing our occupation since generations.
For
example, the songs explains a story of a highly educated man who has returned
back to his village and have been doing agriculture in commercial way. The
writer has, through out the song, incessantly tries to explain the need of commercial
agriculture in Nepal. Even according to SD, when interpreted in Nepal’s
context, it is important for us to return back to our agricultural roots but in
a professional way. We should not forget that, in the dream of making the
country as prosperous as Switzerland, Nepal has been converted into a food
importing country from the one which used to export it until a decade ago.
In
addition, the song also has implicit messages relating to gender equality,
culture, family relations, etc. The gender equality, though not mentioned in
the verses of the song, has been depicted in the video which is the social aspect
of SD. Moreover, verses like – khancham geda-gudi bascham buda budi, Malai
Salman Khan ni yei, malai Saha Rukh Khan ni yei – hints towards the
importance of homegrown food habits and also the good relation between wife and
husband made easily possible because of living together. These are powerful and
influencing lines in the context of weakening and breaking family relations,
also reported several times in the news in the recent times.
Similarly,
the song also indicates towards the importance of our culture and saving our
identity. Shown in the habits related to food and clothes, the song clearly has
a message relating to SD which advocates of placing the environment and society
ahead of the economics. Moreover, the verses – payal chappal kinchu, kchaad
berchu hindchu, malai dingo jutta yei, malai jean ko pant, yei malai suhaune
pani yei – mentions the unrestrained copy of other cultures resulting into
increased import which in turn is taking back all our money to the countries
where it was earned by our fellow Nepalese. Almost 80% of the remittance money
being spent in daily goods and our growing deficit proves the same scenario.
In
sum, the song puts an increased important towards the well-being and other
different unquantifiable aspect of human life. Time spent with family and the
valuable time shared with community peoples and so forth is highlighted more
than monetary incentives. The song, in all its verses, from one way or the
other, has incessantly tried to reflect that Gross Domestic Product (GDP), as
in SD, is not the one and only aspect of prosperity.
On
my part, I am very happy to find something I would use throughout my life to
start the lessons of SD to my to-be students.
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